Tuesday, May 27, 2008
Interview with Henrietta B Harris
a)Henrietta B Harris
q) Where do you live and work?
a)Auckland, New Zealand
q)What is your creative process like?
a)Unreliable & varying
q)What is your favorite medium?
a)Oil Paints
q)What is your current favorite subject?
a)Puffer fish
q)How long does it take for you to finish a piece?
a)Anything from 5 minutes to a few weeks. Usual length of time would probably be about 6 hours but my latest abstract pieces take days.
q)What has been your biggest accomplishment so far?
a)2 relatively successful solo shows in 2 years
q)Are there any contemporary artists that you love?
a)Yes, there are many contemporary artists I love, including Esao Andrews, Thomas Campbell, Mattias Adolfsson, Elliot Collins, Ruban Nielson, Raymond Pettibon, Vic Reeves, Christian Marclay, Oliver Jeffers, Jacob Magraw-Mickelson... many many more.
q)Can we buy your art anywhere?
a)I guess at this point in time email me, that is the best thing to do I should say.
q)Anything that people should know about that we don't??
a)I have thought about this question for a long time and find it impossible to answer. Make up the answer yourself.
q)What is your best piece of advice for those who would like to rise in their level of artistry?
a)Go overseas alone for a period of time
q)What inspires you to keep going when the work gets frustrating or tough?
a)My mum, scrapbooking.
q)How do you describe your work to those who are unfamiliar with it?
a)I usually don't, or make up a lie to be honest. 'uh drawings and paintings of really interesting things.'
q)What kind of training did you have which helped you achieve your current level of artistry?
a)Although I spent three years at art school, the training that I found most beneficial for my own practice was that of my 7th form art teacher and the self taught kind.
q)Is there a tool or material that you can't imagine living without?
a)Coffee
q)Who are your influences?
a)The artists listed in the contemporary artist question, Evelyn Waugh, No Age, Chris Morris, Joe Strummer
q)What inspires you to create?
a)I saw that movie 'Elephant' and made a painting the next day inspired by the angle a wall made in the corridor, nothing to do with the storyline. I have also been inspired by plants, buying & experimenting with new materials, small cities made of wood, music.
q)…your contacts…
a)www.scaredycat.co.nz
henrietta@scaredycat.co.nz
Interview with Marcos Carrasquer
-GUERRA, EXILIO Y CARCEL DE UN ANARCOSINDICALISTA, CIPRIANO MERA
-LE LIVRE NOIR, ILYA EHRENBOURG AND VASSILI GROSSMAN
Friday, May 23, 2008
Interview with Julianna Bright
a)Julianna Bright.
a)Portland, Oregon. USA
a)Pencil, gouache, ink and water color.
a)Since my daughter was born last year, I have less time to work and so I find the process has become very stream of consciousness. When I sit down to draw now, I just take up the pencil and go, and what I seem to be drawing over and over are female figures, arbors, ribbons lacing around half animal, half human beings. There is something pleasurable at the moment about exposing the roots of plants, and painting figures as if they are floating beside these plants. In the past I would confront a project or show with an over arching theme in my mind, hash out some question I hoped to answer. I've had to sacrifice those overt machinations since becoming a mom, and so I think I'm turning over more and more to the subconscious. Also, children do a good deal to force you into inhabiting the moment; life with them is so alinear. This has been particularly interesting for me as an artist and a musician, to trust that whatever energy is there when I have a moment to show up can carry me.
a)If I work straight through I can finish a small piece in a long day or two.
a)I'm really proud of the record my partner and I made while I was pregnant with my daughter. (Our band is called The Golden Bears. We released a record this spring and pressed just 500 LPs and decided not to make any cds.) It feels like the music is the closest expression to the stuff I've heard in my head for so many years. And I think the lyrics and artwork I made for the album, all of these things are true expressions of my delight and joy in my life, my family. The lyrics were written very much in anticipation of what it would be like to meet our kid; and it's so great to me that this document exists for our daughter.
a)Mostly friends actually. Amanda Eicher. Harrell Fletcher. Jen Smith. Chris Johansen. Donal Mosher.
a)I try to post the pieces that are available through me or a gallery on my website.
a)I have four chickens. Is that interesting?
a)Just keep making things. Practice. I think sometimes we have such a clear idea of what something should look or sound like and then we're frustrated when our facility or the process let's us down. We worry there isn't room in the world for what we do. But I think it's important to quiet those voices and to hold our seats when it feels like our work is betraying us as some kind of fraud. Even the crappiest painting gets you closer to something else.
a)I'm not frustrated by making art. I get frustrated by time constraints or feeling too exhausted at times, but I'd make the stuff I make even if no one ever saw or heard it.
a)Maybe the best way to describe what I do is that I make illustrations from lost or forgotten children's fables.
a)None. I'm self trained and just drew and painted and drew until I liked what I was seeing.
a)Pencil.
a)My partner is a huge influence on me. He has a very mechanical mind and often alters my perspective in super useful ways. I'm influenced by old photographs, plants, Indian miniature paintings, illuminated manuscripts. The Kinks are my favorite band and Ray Davies has had a huge impact on how I think about music and story telling. (And art as story telling.)
a)Just everything. I feel like there's this river that runs underneath everything and all I have to do is make the time to lower my hand into it. I'm alive, that's why I want to make things.
Interview with Stephen Blickenstaff
Tuesday, May 20, 2008
Interview with Diego Tolomelli
Thursday, May 15, 2008
Interview with Justin "Scrappers" Morrison
Wednesday, May 14, 2008
Children No More
CHILDREN NO MORE-
- matite contro la violenza sui minori -
a cura di Alessandro Dezi e Fiorenza Filippi
per conto della Karibu Onlus
3 -15 June 2008
Galleria Comunale
SpazioGiovani
Via Venezia, 41 - Bari
Orari: 10.00 - 12.30 / 16.00 - 21.00
byyyyyyyyyyyeeeeeeeeeeeeee!!!
Claudio Parentela
www.claudioparentela.net
Tuesday, May 13, 2008
Interview with Kate Malone
a)Kate Malone
q) Where do you live and work?
a)I live and work in East London and in Provence. Two studios combined with two homes.
q)What is your creative process like?
a)It varies, but I usually have a thought that usually comes to me when I am not thinking about it, then I follow a small idea through to a clay piece, and if it is interesting that starts the evolution of a series of pieces. I have different series going on at the same time.
q)What is your favorite medium?
a)Clay, raw clay.
q)What is your current favorite subject?
a)Nature, and crystalline microscopy.
q)How long does it take for you to finish a piece? This varies, but an average piece might take 30 hours over a period of six weeks.
q)What has been your biggest accomplishment so far?
a)Still being enchanted at the thought of working.
q)Are there any contemporary artists that you love?
a)Andrew Logan.
q)Can we buy your art anywhere?
a)No, exclusively through my only Art Dealer…Adrain Sassoon
q)Anything that people should know about that we don’t??
a) I am looking for a place to set up a third studio-home in Barcelona.
q)What is your best piece of advice for those who would like to rise in their level of artistry?
a)To persevere, to follow the most enjoyable elements of what you do...just get on with it.
q)What inspires you to keep going when the work gets frustrating or tough?
a)Letters I get form school kids who like my work, and that I need to earn a living for my family.
q)How do you describe your work to those who are unfamiliar with it?
a)Pieces that show just a fraction of the wonder of nature and the alchemy of ceramics. Pieces that make you feel secure and feel good.
q)What kind of training did you have which helped you achieve your current level of artistry?
a)Six years of specific training in ceramics, a BA then an MA at the Royal College of Art. My education was during a time when there was a good supply of materials and great teaching and money was not scarce within the system.
q)Is there a tool or material that you can’t imagine living without?
a)A rubber kidney.
q)Who are your influences?
a)Mother nature, Andrew Logan, my Art Dealer and clients, friends and family.
q)What inspires you to create?
a)The Clay and the joy of working.
q)…your contacts…
a) My e-mail, or my Art Dealer.
Thursday, May 8, 2008
Interview with Cornelia O’Donovan
Interview with Jason Polan
Monday, May 5, 2008
Interview with Derek Erdman
a)I am short and have short person complex. I am fond of junk food, sleeping and meeting new people. I also have favorite clothing that I wear all of the time, like I will find a favorite soft shirt and wear it all of the time. Lately my arms have been moving involuntarily, I think I am developing Tourrette's Syndrome. My teeth are in terrible shape, they are all rotting out of my mouth. I will not go to the dentist because I do not like it there. I hate the taste of flouride rinse and the feeling of metal scrapers. My life's work can be attributed to trying to impress my father who left me at birth.
q) Had you always planned on being an artist [or had you other hopes]?
a)I didn't properly plan in any way for my future, nor am I now. I would like to live near an ocean eventually. I don't think of myself as an artist now, I think of myself more as a huckster.
q) Do you have a preferred medium to work on? Why?
a)I like to make paintings with housepaint on wood. All of these things can be bought very cheaply.
q) How would you describe your style?
a)EASY. Something that is easy to do, simple. I try to avoid the complex at all costs.
q) Do you go through any certain processes while trying to produce your work?
a)I like to listen to music. I used to drink red wine or vodka but I don't much anymore. I work on a schedule called 36-12, I stay up for 36 hours and then sleep for 12. During hours 20-30 I get really great ideas. During hours 30-36 I am totally useless.
q) What are you working on at present?
a)I am going to paint things on insulation foam, cut them out and hang them from the ceilings of my house.
q) What about recent sources of inspirations?
a)Which Way Books, Kaspar Hauser, books and films from my childhood. I also like to research old medical books with line illustration, or any reference book really.
q) What are some of your obsessions?
a)Doing the dishes, keeping my home organized. It's dusty but straight. I also love the music group The Fall. In college I was really into Morrissey, I wore big sweaters and wooden beads and stuff.
q) Which galleries have you shown at and which galleries would you like to show at?
a)I haven't really shown in many galleries, I'm not really interested in it. It rarely seems like an inviting atmosphere. I have shown at Unitard in L.A., Yellow Wall Hall, Shooting Gallery SF, Intoxicated Demons in Berlin. I have something currently at the PowerHouse Arena in Brooklyn NY.
q) If people would like to contact you, how would you like to be contacted?
a)Email = derek.erdman at gmail dot com
q) Do you have any suggestions or advice for artists that are just starting out?
a)Get to work, you can't do something until you do it. I would add to avoid most education and refrain from using your "art" as a social device.
q) Who are your favorite artists?
a)Jason Polan, Amy Casey, Hannah Woodroofe, Tom Tierney, maybe Nick Vandermolen.
q) What books are on your nightstand?
a)I don't read books.
q) To what weaknesses are you most indulgent?
a)Sometimes I am lazy. Also I am also at times selfish and mean to people.
Sunday, May 4, 2008
Interview with Michael Pajon
I have always been a huge fan of Goya, Edward Hopper, Aubrey Beardsley, Hieronymus Bosch, Max Beckmann, Otto Dix, and Joseph Cornell.
Recently I finished reading Malcolm Gladwell’s “Blink”. It’s a quick read, and offers some fascinating insight into how we make snap judgments.
The other is bike rides, we’ve been having some gorgeous weather until today, and it has been hard to get work done in the studio when all I want to do is go out for a ride.