Sunday, October 25, 2009

Interview with Joana Coccarelli





q)Please tell us a brief info about yourself.


a)I was born and raised in Rio de Janeiro, Brazil, and have been living here my hole life. I´m 33 years old and part of my family came from Italy to work and live in Brazil during the 1st World War. I´m single and got four cats. I´m also a Marketing Coordinator for an IT company focused on healthcare. Besides my interest in Arts, I´m also a free-lancer journalist for the internet, fashion consultant and a sitar player.


q)Tell us about your humble beginnings. When did you first realized that you wanted to be an artist?



a)I´ve never thought about being an artist. Instead I was always aware that I would become a journalist or a writer, because of my curiosity and good text. But I was raised on an “artistic” environment: my father is an architect and an artist himself. His main subject is the naked female body. I built him a website to show his works online (www.coccarelli.art.br). My mother used to work as a fashion producer and consultant and today she is an interior designer. As a child, I´d love to draw. I won a prize at school´s Art class. When I was a teenager, I used to cut photographs from my mother´s fashion magazines in order to illustrate my diary. I would write down what happened in my life and put an image that could translate the general idea and so on. My interest on collage started to show because of a friend of mine that is an awesome collage artist, Iuri Kothe. I published an interview about him and asked for some tips so I could start to make collages myself – it seemed a fun thing to spend time doing. I never really started until April 2008. That month I wasn´t able to attend my shrink and then instinctively started to cut magazines and create those random compositions. Later I felt like showing them to my shrink and she was able to relate them to my inner self. I couldn´t stop making collages since then. It´s a inner necessity, so sometimes I have a hard time recognizing me as an artist. I understand that this is Art, but for me my work has a bit of a different meaning.


q)What are your tools of the trade and why?


a)I use books and magazines to get the pictures. I call it the “research and edition” step: I go through the publication and choose what images are interesting, cut them and keep them on my file. I usually don´t have a previous idea of composition when I do that: I simply choose an image that I find inspiring and keep it with the others. Then I eventually sit down, open my file, grab some cuts and start to create a composition. I use actual scissor and glue to make them. I don´t know how to use Photoshop so nothing is digital. Everything is handmade. Because of that, I say I work with limits: limits of size of the cuts, their colour, quantity, quality. I actually find it exciting.



q)Who or what gives you inspiration on your morbid art?



a)My inner demons, for sure! I think it´s a great way to know them and deal with them. I try to make them look good so they bother me less!
q)Is your artistic background self-taught or did you go to college to study? a)It is instinctive, self-taught. My Art lessons at school have some influence, though.


q)How do you keep “fresh” within your industry?


a)I visit around 70 Art, Design and Science/ Technology blogs and websites daily. The Art and Design pages have images that say a lot about the moment we are living, what´s about to change, what´s next. The same with Science and Technology pages, I am completely thrilled about the latest discoveries on space, robots, our bodies, nature. They have an amazing impact on my collages.



q)What are some of your current projects?



a)Well, I just extracted one of my wisdom teeth and I am using it along with collage, a computer circuit and canvas. It has a cavity, so that´s its name. I´ll extract two more wisdom teeth next month and will use them on two more pieces, and then make a triptic with the first one.
I´m also finishing The Zodiac Attack series, which brings collages that represent each one of the 12 zodiacal signs. You can see it on my Flickr page.


q)Which of your works are you the most proud of? And why?



a)I have a special feeling for Uterus. I hanged it on my bedroom wall. It´s the only abstract collage I made and I think it shows a strong aspect of the female subjectivity. It is not one of my most popular works, though.



q)Are there any areas, techniques, mediums, projects in your field that you have yet to try?



a)I´m starting to introduce computer pieces and canvas on my collages. I´m also getting the calculus (stone) my mom extracted from her bladder and will use it on a future work.



q)What do you do to keep yourself motivated and avoid burn-out?



a)I only start a collage session when I have a need and plenty of time, and I stop it as soon as I recognize the work is done, or that I should wait an idea to mature.



q)How do you spend most of your free time?



a)Reading and writing on the internet, talking to and meeting friends, watching movies at home, listening to music, smoking shisha, buying fabric to make new clothes for myself, playing with my cats, reading magazines.



q)What contemporary artists or developments in art interest you?



a)I love Yoko Ono so much. Her life is art itself. I´m a lot into street art as well, from graffiti to flash mobs. As the situationists used to say, “La beauté est dans la rue” – beauty is on the streets. I also like artists that defy the copyright notions as Shepard Fairey. As a collage artist, I´m dealing with copyright limits all the time. On my early works I didn´t mind them, but as I started to be part of exhibitions and more public projects, I started to be careful on the way I use an image.


q)We really like some of your pictures, how can we get our hands on them? Do you sell them? How?



a)E-mail me and say what picture you are interest in. If it doesn´t have possible copyright implications, I´ll be very glad to sell it.

Thursday, October 22, 2009

Interview with Andrew Perry Davis







q)please tell us a brief info about yourself.
 
 
a)I grew up in Greenville, South Carolina.  I have always felt the urge
to express myself through art.  It is a way for me to communicate
ideas that are hard to express in words.  I studied art in South
Carolina and Pennsylvania.  Since then I have taught art in Michigan
and Indiana.  I am currently living in Bloomington Indiana with my
wife and cats.
 
 
q)Tell us about your humble beginnings, When did you you first
realized that you wanted to be an artist?
 
 
a)I realized early on that I find myself and loose myself with art.
Creating makes me vulnerable.  I share my brokenness in my art and I
think that is what people connect with, since we are all broken in
some way.
 
 
q)What are your tools of the trade and why?
 
 
a)I usually have a sketchbook with me.  It is an immediate way to record
ideas.  Some ideas would be best suited for a painting; others would
be better to develop as a sculpture or performance.  But there are
themes running through each.  Some ideas can be expressed in multiple
media.  While there are implied narratives in most of my work, I also
draw comics.  In these I explore some narrative with a specific
character.
 
 
q)Who or what gives you inspiration on your morbid art?
 
 
a)Running through all of my work is an interest in psychology, the
supernatural, loss of identity, and dreams.  I keep a dream journal
and those sometimes show up in my work in one form or another.
 
 
q)Is your artistic background self-taught or did you go to college to study?
 
 
a)In art school the institution enforces certain criteria.  There is a
separate creative energy within the students. The students must work
toward their own goals within those criteria.  The teacher is in a
position to influence the student toward growth, or to stifle them.
It is a sticky position to be in.  As a teacher, I must be able to
detect the creative potential in the student and lead them toward
better expressing their ideas.
 
 
q)How do you keep “fresh” within your industry?
 
 
a)I went to the dumpster to throw out some large sculptures that had
been sitting around too long to find four raccoons huddled in the
bottom of the dumpster.  They had jumped in thinking it was full, but
it was empty and the walls were too slick for them to climb out.  I
found some more old sculptures and piled them up.  I waited for the
raccoons and watched them climb the sculptures to get out one by one.
The sculptures had gotten stale but serving this purpose gave them new
life.  Sometimes the little things are the positive affirmation from
the universe I need.
 
 
q)What are some of your current projects?
 
 
a)I am currently drawing back from the more concept driven work and
concentrating more on throwing pottery on the wheel.  I am energized
by the technical challenges and gratified by the user interaction of
functional ceramics.
 
 
q)Which of your works are you the most proud of? And why?
 
 
a)I really enjoy collaborating with other artists.  I my work I am
striving for a connection with others, but while creating it I am
usually totally isolated.  In collaboration there is a definite felt
connection.  This is the work I find most creatively gratifying.
 
 
q)Are there any areas, techniques, mediums, projects in your field
that you have yet to try?
 
 
a)I would like to have my own gallery or art space.
 
 
q)What do you do to keep yourself motivated and avoid burn-out?
 
 
a)Life is not linear.  It is loopy, like a settler blazing a trail
through a dense forest, displaced and wandering.  There is no sense of
direction, no real way home.  I try to avoid sticky webs that will
bind me.  I develop some kind of pattern to my behavior.  In
repetition of habit we forget the random nature of our existence.
 
 
q)how do you spend most of your free time?
 
 
a)I enjoy reading, writing, going for walks, watching movies and hanging
out with my wife and cats.
 
 
q)What contemporary artists or developments in art interest you?
 
 
a)My paintings are influenced by the work of self-taught artist Henry
Darger.  A ceramic artist whose work I admire is Kim Simonsson.  I am
also always deeply affected by the works of Paul McCarthy, writer
Thomas Pynchon, and director David Lynch.
 
 
q)We really like some of your pictures, how can we get our hands
on them? Do you sell them? How?
 
 
a)Thank you for your interest in my work.  If you would like to contact
me about availability feel free to email me.

Monday, September 21, 2009

Interview with Ralf Obergfell






q)please tell us a brief info about yourself.
 
 
a)I was born in Freiburg, Germany and grew up in Staufen, a small town 20km south of Freiburg. First picked up a camera at the age of 15 and documented my friends at school. Confused and curious about my sexuality, I decided to move to London age 20 to explore what's out there...personally and creatively.
 
 
q)Tell us about your humble beginnings, When did you you first realized that you wanted to be an artist?
 
 
a)As teenager I was very much into the music of  80's British bands like The Cure, Duran Duran, Depeche Mode and Eurythmics and was transfixed by London's New Romantic fashion. This, together with my passion for photography as well as my sexual curiosity, made me think 'I think I'm a bit different from my mates at school'. 
 
 
q)What are your tools of the trade and why?
 
 
a)A lot of my work is based around my immediate surroundings, like my friends, where I live and the GutterSlut club parties that I put on with the Dalston Gay Mafia. Tools of the trade? Perhaps personal relationships and a love for the crazy, weird and wonderful. 
 
 
q)Who or what gives you inspiration on your morbid art?
 
 
a)My boyhusband and friends, GutterSlut, other artists whose work I admire. Greenpeace, music, magazines, books, films.... Fantasy and desires, every day happenings really.
 
 
q)Is your artistic background self-taught or did you go to college to study?
 
 
a)My dad was an enthusiastic amateur photographer. When I was little he would teach me a few basic elements of photography in terms of exposure and lighting. From there on I taught myself. Later I studied and graduated at London College of Printing, however not in a photography relating context.
 
 
q)How do you keep ?fresh? within your industry?
 
 
a)I look into other artists, friends and areas of photography and art that I find fascinating. Though generally I just keep shooting whatever catches my eye and inspires me at a specific moment of time. 
 
 
q)What are some of your current projects?
 
 
a)My new show 'Beautiful Freaks'  (a collaboration with artist and set designer Tony Hornecker) opens in London on 24 September. The body of work that makes up Beautiful Freaks finds its origins specifically back in 2005, at the time when East London's Electro scene started to gain real momentum.
Beautiful Freaks is a celebration on the new generation of exotic creatures at a new wave of events including Gay Bingo, GutterSlut, Trailer Trash, Horse Meat Discos NYC Downlow and the Pale Blue Door.
 
 
q)Which of your works are you the most proud of? And why?
 
 
a)I've been shooting for over 20 years, so to pin point specific proud moments is a hard one. 'Thomas and Marc frolicking in the bath' is a memorable picture as it was one of the very first photographs I ever took. The 'Beautiful Freaks' and 'Last Stop' works have been labour of love projects. As well as some individual images of my friends and lovers. 
 
 
q)Are there any areas, techniques, mediums, projects in your field that you have yet to try?
 
 
a)I've been working on some new ideas. Watch this space. ..
 
 
q)What do you do to keep yourself motivated and avoid burn-out?
 
 
a)Exercising, nature, traveling, Berlin, a healthy diet, plenty of sleep, regular breaks, reading and quality time with my friends, boyhusband and Lucky (the dog).
 
 
q)how do you spend most of your free time?
see question above
 
 
q)What contemporary artists or developments in art interest you?
 
 
a)Per QX, Tony Hornecker, Antonio Urquillo de Simon, Ryan McGinley, Slava Mogutin, Alexey Kiselef, David Lynch, Larry Clark...are all very exciting artists that keep re-inventing and push boundaries, I'm very much into that... 
 
 
q)We really like some of your pictures, how can we get our hands on them? Do you sell them? How?
 
 
a)Just  shoot@ralfobergfell.com
 
 

Sunday, September 13, 2009

Interview with Patrick Winfield





q)please tell us a brief info about yourself.


a)for my job i am a graphic designer. my personal work gets done in the night time and on weekends. i love nature, good grief, bad hair days, silly dogs and nice people.



q)Tell us about your humble beginnings, When did you you first realized that you wanted to be an artist?


a)when my dream of becoming a giraffe dissolved i started to draw. this got me attention within my family, so i continued. then the girls liked it. now i do it for myself.


q)What are your tools of the trade and why?


a)whatever is at my disposal, anything goes. computer, printer, paints, spray paints, found material, film, pens and pencils, chalk, crayon, ink, fabric, etc.



q)Who or what gives you inspiration on your morbid art?


a)my morbid self ;) also books, music and walking around outside.


q)Is your artistic background self-taught or did you go to college to study?


a)both, i went to school then taught myself some things. always learning.


q)How do you keep “fresh” within your industry?


a)shower daily.


q)What are some of your current projects?


a)more collage work and music.


q)Which of your works are you the most proud of? And why?


a)the next one. it motivates me and makes it fun and really tough.


q)Are there any areas, techniques, mediums, projects in your field that you have yet to try?


a)so, so many.


q)What do you do to keep yourself motivated and avoid burn-out?


a)keep my mind open, no chemicals other than coffee, exercise and meditation. relax and smile. spend quality time with family and friends.


q)how do you spend most of your free time?


a)being happy. (see above)


q)What contemporary artists or developments in art interest you?


a)creative poodle grooming.


q)We really like some of your pictures, how can we get our hands on them? Do you sell them? How?


a)thanks! i sell them through my site. i can ship them out anywhere.

Wednesday, September 9, 2009

Interview with Joe Wilson





q)Please introduce yourself.


a)My name is Joe Wilson, and im an illustrator.


q) Where do you live and work?


a)I live in the middle of England and work from my home at the moment.


q) How would you describe your work to someone who has never seen it?


a)Its Disgustingly groovy.


q) How did you start in the arts? How/when did you realize you were an artist?


a)I have always been a drawer, for as long as i can remember. I got serious about doing nothing but art when i was about 13 or 14.but i didn't think i could make a living out of it until i was about 18.


q) What are your favorite art materials and why?


a)I find that i am totally comfortable with pencils, pens and paper. nothing else can compare, i need the discipline.


q) What/who influences you most?


a)In terms of artists i love Aaron Horkey, Tyler Stout and Jorn Kaspuhl. Also got to big up Alex Trochut, Oscar Wilson and Harry Malt at Debut Art.


q) Describe a typical day of art making for you.


a)Get up, drink some tea or coffee, check my emails,blogs etc. Get down to some actual work and pretty much remain in a state of hypnotic drawing for the day. I'll stop at about 7 if i have the choice. If i have nothing else to do i might carry on into the night but it depends how much work i have on.


q) Do you have goals, specific things you want to achieve with your art or in your career as an artist?


a)Theres a few things that i would consider milestones on a personal career note, but as long as i can live im happy.

I would love to design some skateboards as i was a big skateboarder when i was younger so that would be huge for me.


q) What contemporary artists or developments in art interest you?


a)Well, like ive said before im really into Aaron Horkey and Tyler Stout and that whole american rock/film poster scene is really pushing out some great work. They have huge dedication and productivity that i would love to recreate here in England. Also, British illustration is really awesome at the moment and events like Printclubs 'Blisters' shows, are really helping to push awareness of that.


q) How long does it typically take you to finish a piece?


a)This depends on whether its a piece for a client or a piece for myself. I tend to do nothing but commercial work these days and its hard to find the time for personal stuff.

I usually spend about 4 days on a commercial piece if they give me that, and a personal piece can take up to 2 weeks on and off. I do like labouring over details but i like to get sections done in one stint so i dont lose interest.

so i'll often pencil in one day, pen the next one or two days, and colour in a day. This seems to work nicely for me.


q) Do you enjoy selling your pieces, or are you emotionally attached to them?


a)I love selling my pieces although they are very often screenprinted editions that i sell, therefore the original remains mine.

I guess i am attached to the original drawings as so much energy, mental and physical, has been required. i like the idea of having a lifetime of catalogued drawings when im old, but i'll sell for the right price. Im only human.


q) Is music important to you? If so, what are some things you're listening to now?


a)Music is important to me, and also my work routine. I love to listen to loud music when i draw so i zone in on what im doing. create a sort of bubble to work within.

At the moment im listening to a lot of Shuggie Otis, The band, some Neil young and early Black Sabbath.


q) Books?


a)I dont read many novels, i read watchmen a while ago but i tend to dip into books about nature and science.


q) What theories or beliefs do you have regarding creativity or the creative process?


a)errr, i guess i believe in the idea that creativity breeds creativity. Ive also found that if i draw nothing, then i will have no inspiration.

sometimes the only way to formulate ideas is to put pen to paper.


q) What do you do (or what do you enjoy doing) when you're not creating?


a)I enjoy films, and going to the pub. Im partial to the odd ten pin bowl and i play keyboards and organs in a band. but thats creating.


q) Do you have any projects or shows coming up that you are particularly excited about?


a)Ive been doing some regular drawings for GQ magazine so i enjoy the discipline of having to create new images, quickly and on a variety of subjects.


q) Do you follow contemporary art scenes? If so, how? What websites, magazines, galleries do you prefer?


a)I follow the american poster scene, i love some of the artists doing that kind of work. I just keep my eyes on gigposters.com and http://omgposters.com/.

I keep my eyes on the creative review blog and a few others. but i like to follow individual artists blogs and sites to see what other illustrators are up to.


q) Ask yourself a question you'd like to answer, and answer it.


a)I always ask people what there guilty pleasures are so if i ask myself i would have to say, girls magazines and poor BBC3 surgery/brat camp type TV.


q) Any advice for aspiring artists?


a)Keep your pencils sharp and your brain sharper.


q) Where can we see more of your work online?


a)you can see more of my stuff at:

site: www.joe-wilson.com

blog: www.jonieslow.blogspot.com

agent: www.debutart.com

Saturday, September 5, 2009

Interview with Colin Matthes







This interview was written in two parts. It began on a bus to Brussels in the summer of 2008, and was completed in the woods of rural Ohio at the Harold Arts Residency Program, summer 2009.


q) Well, first of all please tell us a little about yourself.


a)Hello my name is Colin Matthes. Right now I’m on a bus in France on the way to visit friends in Belgium. My throat hurts. I have two buttons left on my shirt and two beers to keep me company.


q) Had you always planned on being an artist [or had you other hopes ?


a)No, I’ve always done drawings, but where I grew up no one was an artist and it wasn’t anything anyone ever thought about . In highschool I took shop classes and was considerably toasted throughout. Going to college without any specific goal in mind just barely beat staying where I was and trying to get a job as a carpenter. I missed orientation and ended up in a leftover art class. It stuck.


q) Do you have a preferred medium to work on? Why?


a)Ink on paper. It’s simple dirty cheap and beautiful. I also like building things with construction grade materials, especially cheap or found wood.


q) How would you describe your style?


a)Overall I am concerned with making human work, work that feels honest for me. This leads to making work that is sometimes topical, sometimes much more personal, and more often than not both personal and topical.


q) Do you go through any certain processes while trying to produce your work?


a)I bounce back and forth between research and making. When working on a project I make a lot of work, and start over a few times as my ideas become more developed.


q) What are you working on at present?


a)I recently completed a large wall drawing, titled Winners Circle, at the Haggerty Museum in Milwaukee.

Right now I am working on a comic about the economic collapse and popular uprising in Argentina in 2001 and the resulting collective approaches to personal and community empowerment after capital fled the country. This comic will be in an upcoming issue of World War 3 Illustrated. I am working on drawings and writing about Muhammad Ali, Roberto Clemente, Augusto Cesar Sandino, and Chico Mendes for a book project by Justseeds and Microcosm Publishing that is about people fighting for social justice in the Americas.

I plan to put out a couple small zines in the next few months and well as make a few prints.

In January 2010, Sailing the Barbarous Coast will open at the New Art Center in Newton (a suburb of Boston) Massachusetts. This will be a two person exhibition with Anthony Smith Jr., another artist whose work inspires me. The title, Sailing the Barbarous Coast, references the first US Military intervention, the Battle of Derne in 1805 that was an effort to destroy all “pirates” on the Barbary Coast. In Sailing the Barbarous Coast, we are witnesses to American aggression, power, and intervention, participating more as extras in an epic film than as writers who create the story.


q) What about recent sources of inspirations?


a)I’m not sure if inspiring is the word, but recently I have been thinking a lot about the relationships between war and economics. I am also researching the history of United States Military action overseas and continentally.


q) What are some of your obsessions?


a)Building things out of shoddy materials, drawing with ink, radical art, building things with other folks, working with friends, champion beer drinking, Irish whiskeys and stouts, shitty beer from Milwaukee, heavy and awkward art books, zines, prints, silly art, beat up stuff, junk in alleys, smashing all sorts of things (most recently a toaster).


q) Which galleries have you shown at and which galleries would you like to show at?


a)In addition to galleries I have made work to be located in the woods, in cities, and for print. I love looking at great gallery shows, but also love seeing work outside the gallery in everyday life.

I really enjoy making installations in galleries. I have shown at Inova (Milwaukee, WI), the Haggerty Museum (Milwaukee, WI), Space 1026 (Philadelphia, PA), Telefon Til Chifen Gallery (Copenhagen, Denmark), Metro Noviciado (Madrid, Spain), Anno Domini (San Jose, CA), Hotel Pupik (Schrattenberg, Austria), 5+5 Gallery (Brooklyn, NY), ABC No Rio (NYC,NY). I do not have a specific “dream” gallery, but I would like to show in Europe more consistently.


q) If people would like to contact you, how would you like to be contacted?


a)Email is cool: colincmatthes@gmail.com or colin@justseeds.org


q) Do you have any suggestions or advice for artists that are just starting out?


a)Work all the time, try to keep positive, don’t think too much about the artworld, work for yourself, your friends, your community. Make work about something you believe in.

Think about why you do what you do. Also, learn to write and learn a trade. I blew off writing in school and pay for it now.


q) Who are your favorite artists?


a)I have many friends that inspire the work I do. I work with the Justseeds radical art cooperative that consists of many artists whose work I have admired for a long time. Milwaukee artists including Brandon Bauer, Molly McKee, Adam McKee, Nicolas Lampert, Makeal Flammini, and Santiago Cucullu. And other friends around the world including Kati Heck, Sean McElroy, Jason Polan, Sue Coe, Karen Sanders, Jesse Connor, and so many others.


q) What books are on your nightstand?


a)No nightstand, but if you look on the floor by my mattress right next to the cooler and milkcrate you would see sketchbooks, Blackwater by Jeremy Scahill, Borstal Boy by Brendan Behan, and Horizontalism: Voices of Popular Power in Argentina.


q) To what weaknesses are you most indulgent?


a)My weaknesses are I cannot remember a goddamn thing, a nice infomercial can suck me in especially the flowbee one, and my asthmatic lungs.

My vices are beer, whiskey, work, sex, and being able to build a bedroom set out of milkcrates, scrap wood, and a cooler.


q)….your contacts…


a) www.ideasinpictures.org


www.justseeds.org

Thursday, September 3, 2009

Interview with Paul Torres






q)Please introduce yourself.


a) I am an artist living in Los Angeles Ca, for most of my life, born in Chile, and raised there, I had my first interest in Art at the age of 2 with comics, and started drawing at the same time, my father hired a german tutor for me and my brother, him being an architect taught me some drawing too, then enrolled in correspondence schools at the age of 9, and came to the US at that time for 1 year, and fell in love with the culture here,the music, the movies ,cars, toys and the different types of personalities ,and nationalities and races, almost circus like, that fascinated me, which I have never seen in Chile, which is much more homogeneous there.

I came back to the US at 18 years old, and enrolled in US Army for 2 years that what quite an experience, did lots of artwork for them .At 21 I enrolled at Otis Art Institute , studied Illustration and Fine Arts for 2 years , then studied at Art Center which I have a BFA in Illustration .

I started my artistic career, by just letting people see my work , like neighbors , family , coworkers, and sold my first painting to a neighbor for $45 when I was 16. I then started doing painting commissions and portraits when I was in the US Army, after I left Otis Art Institute I got my first job with the Animation Industries Studios , DIC Entertainment in Encino Ca, doing Character Design and Background Design for " Slimer and the Real Ghostbusters" , worked also on "Cool World" ralph bakshi productions

At the same time I started Showing my Paintings in Art Galleries .


q) Where do you live and work?


a)In Alhambra Ca


q) How would you describe your work to someone who has never seen it?


a)I describe my work , as Realism with an edge, with undertones of social , and political commentary, and humor


q) How did you start in the arts? How/when did you realize you were an artist?


a)I had my first interest in Art at the age of 2 with comics, and started drawing at the same time, my father hired a german tutor for me and my brother, him being an architect taught me some drawing too, then enrolled in correspondence schools at the age of 9


q) What are your favorite art materials and why?


a)Pencils , color pencils, markers, Oils , I love pencil work because I can get the effect that I truly want with the forms, and markers are great for more lose work, and Oils are my favorite for painting, although I like acrylics for underpainting.


q) What/who influences you most?


a)Renaissance Art, Barroque Art, Italian and Spanish the most, then French Impressionism , and Goya, Brueguel, Dix, Dali, Paul Cadmus are my favorite for ideas too.


q) Describe a typical day of art making for you.


a)I need to get some excercise first, get up early like 5 or 6 am go to the park run a little , push ups, then I have to make strong black tea, and I am ready for painting, I try to work on 2 works at the same time back and forth.


q) Do you have goals, specific things you want to achieve with your art or in your career as an artist?


a)I want to make people happy with my work, and be able to improve and change the world as much as I can, with my work and also to enpower myself to be more independent, and have more of a voice with my work for a worldwide audience, and to definitely enpower others all for a good cause, to help other artist get better , and give them opportunities, and to give voice to the voiceless, by bringing awareness,


q) What contemporary artists or developments in art interest you?


a)Paul Cadmus was my favorite, he just passed away, I have very few living artists that I like, Harvey Dinnerstein and I cant think of another one, all the other ones I like they are no longer here.


q) How long does it typically take you to finish a piece?


a)It depends on the size, I can finish a medium size in 1 week, but my more involved works, 2 months, and my big ones about 3 months


q) Do you enjoy selling your pieces, or are you emotionally attached to them?


a)I mostly enjoy selling the works very much, with the exception of my very best works, which I have bought back 2 of them already, then I keep them for a while, and put them up for sale again


q) Is music important to you? If so, what are some things you're listening to now?


a)Music is very important for the mood of the work, I listen to mostly 80's and 70'a some 90's, rock, and some blues, jazz, and some caribbean spanish music like merengue.


q) Books?


a)Lots of history , detective series, art techniques, and biographies


q) What theories or beliefs do you have regarding creativity or the creative process?


a)I think first one should study as much as possible other artists, and then absorb it and make it knowledge, for one to use at anytime , a little here, and a little there, and always be in contact with your sorroundings, and aim to do something different and entertaining


q) What do you do (or what do you enjoy doing) when you're not creating?


a)I enjoy dining out , chinese food a lot, and lebanese, italian, and also going to the beach, and talking to artists friends, and movies, and some time alone


q) Do you have any projects or shows coming up that you are particularly

excited about?


a) Yes my Solo Show at The Grand Central Art Center in Santa Ana this Sat Sept 5th


q) Do you follow contemporary art scenes? If so, how? What websites, magazines, galleries do you prefer?


a)I study the new contemporary scene a little, and also La Luz de Jesus Gallery , and Copro Nason , their shows a lot...


q) Ask yourself a question you'd like to answer, and answer it.


a)Well, what have I given up for art? and I say so much.. and I don't regret it at all :)


q) Any advice for aspiring artists?


a)Yea, start copying the renaissance masters, and work from life as much as possible, with a pen , pencil anything, it's the practice that matters, and start creating your own visual language


q) Where can we see more of your work online?


a)You can see more of my work on Myspace, Facebook, and my website

www.paul-torres.com

Thank you so much !